John Schlick
Lighting Designer, Lighting Director

Seattle, WA

Available for hire as: Lighting Designer, Lighting Director / Operator, Pyro technician, Lighting Programmer, Written Columnist.
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Links to pictures:
TECHNICAL RIDER

John is experienced at all phases of lighting (from designing, to calling follow spots), including automated fixtures and Pyro, having designed and toured lighting systems to 150 lamps. He owns several color changers, moving lights, strobes, and intercom for small tour augments. He has designed and programmed custom lighting equipment, and has built and crewed systems to 2500 lamps.

John is available for touring (from clubs to arenas), and for lighting design for Music Videos, as well as showcase events; can proficiently run every major lighting-controller in use today, and is fully able to deal with both automated lighting and conventional lighting instruments.

John Schlick is a full time LD who lives in Seattle when he is not touring, and has written and published several lighting articles.

"A [Lighting Director] is really like any relationship in that it requires good communication. It’s an ongoing and evolving process to understand where the band is artistically and keep in synch with them."

CLIENTS:    

Designed, ran productions, crew chief:

Alien Crime Syndicate (several productions)
Asian Theater Group, Seattle.
Fishbone (Tour Designer, 'Bone In The USA' tour. Augmented many club systems with my own equipment.)
LEAP Fest, Redmond (large outdoor music festival)
Monsters of Rock tour (5000 lamps).
The Vera Project (All ages live music).
Showlites (5 years. Crew Chief, designer for smaller one-off shows. Numerous 150-lamp benefits.)

Independent Lighting Design Consultant in the L.A. Area (5 years)

   
 
VENUES:

Designed, installed and/or ran these systems:

ArtsWest Theater,
Seattle WA (designed system for several productions, prior to renovations)
Bogart's, Long Beach CA.
Burien Little Theater. (Designed "Richard Rodgers Musical Review", a sellout smash during it's run)
Capitol Hill Arts Center (Designed,installed lighting system; temporarily house lighting designer)
Conworks, Seattle WA (theater space, built the lighting grid; designed Grand Opening production of "Invaders From Earth")
EMP Sky Church
Faces
, Huntington Beach CA.
Gazzarri's, West Hollywood CA.
Moore Theater
(1400 seats, designer).
The Roxy, West Hollywood CA.
Stadium Exhibition Hall (3000 seats, designer)
The Ballard Firehouse
The Fenix
The Showbox
Troubadour, West Hollywood CA.
Waters Club

 
 
 
 
 
 
 
 
 
   
   
VIDEO:  
Museum Of Flight (co-producer, video lecture series)
Norwescon (producer and editor of this 1-hr, weekly Public Access tv series)

S
everal large concert format music video shoots, (as LD and/or DP).

 
TOURING ACTS:    

Spin Doctors
Puddle Of Mudd
The Wailers (Bob Marley's backing band)
Andrew WK
Bounty Hunter
Catastrophic
Gaia Consort
Garaj Mahal
Hanzel Und Gretyl
The Haunted
Juliana Theory
Kandye Kane
Les Savy Fay
M-Set
Mesh
Minus The Bear
POE
Peter Parker
The Posies
Rooney
Tomahawk
Ugly Casanova
Witchery

   
  RAN LIGHTSHOWS FOR:
  Guns n Roses
Red Hot Chilli Peppers
Concrete Blonde
Missing Persons
Lone Justice
 
 
 
 
   
     

Touring Lighting Designer for the Genitorturers.
The "Flesh is the Law" Tour. A 5-week club (500-3000 seats) bus and trailer tour of the US. Took a full lighting package that I set up (using house loaders) and ran every day.

Gen.
The show included front floor trusses, 11 pieces of automation, smoke, strobes, and a full set of floor cans and dimmers (requiring a power tie in).

Biz.
I worked closely with the band to ensure that the look onstage was consistent from day to day. Worked with house LD's to program our show into their gear every day. Called follow spots most nights.

Evil D.
On their last tour, I did all the "large market" shows for Hanzel Und Gretyl, when they opened for the Genitorturers.

Vas.

Vas.

Anna.
 
Loopy.
I do all the Seattle shows for Betty X, when I am not on tour elsewhere.

Betty of Betty X.




Band: Charlie Drown
Band: Expiration Date.